Sophie Morgan, a supporting character in Between Worlds, is twelve and has juvenile macular degeneration. Aside from attempting to improve accessibility for my readers in general, it also seemed appropriate to offer the novels in large print edition because of Sophie. However, trying to learn what the norm for large print edition books actually is proved more difficult than I had thought.
Large Print, Small Selection
When I checked a major book store’s large print books section, I mistakenly thought all the packaged series books were the large print ones. Although there was no other indication on the packaging that these books were large print, they were on the shelf that had “large print” and “audio” on its label. (“Series” must have been there, too, but I probably developed tunnel vision once I saw “large print.”)
I wanted to see what large print looked like so I could produce it for my readers. However, with all these “large print” books wrapped in plastic, I couldn’t look inside. So, I went home.
Best Practices for Large Print
Online, I found the American Council of the Blinds’ best practices for developing large print materials. I read through them and did the best I could to reproduce them in book format:
- 22-point sans serif bold font
- 1.5 line spacing
- left alignment for all text
- no italics
- asterisks to denote indented passages, like letters and Bible excerpts (necessary for the historical time line).
I’m certain some areas could use improvement, but the document said that the most important factors in creating large print books for the low-vision community were spacing, font size, contrast, and font style, and in that order. I think I got those okay.
Ensuring Large Print Editions Are Readable
It’s impossible to approximate with my own eyes how someone with low vision sees. I can blur my vision, but that’s not the same thing. Thankfully, an acquaintance of mine out West, Kyle Bergum, volunteers as an advocate for the Canadian National Institute for the Blind. He agreed to evaluate the first large print copy of The Move.
How Kyle found time in between his career as a senior IT leader, work as an opera singer and voice over artist, and his volunteer role, I’ll never know. But somehow he did. When the first book got his blessing, I went ahead with The Distance and The First Step. All three books are now available as large print editions, and you should be able to order them online at major retailers or at your favourite book store, including many independent book stores. (They likely won’t be on any shelves, though.)
Large Print Books Are Not Cheap
All three books finally arrived in my home office last month. Because of their thickness, they cost more than the regular print ones. It’s a long story as to why I priced them at $18.99 CAD, but that was as cheap as I could make it if I hoped to support small book stores who should be able to order them in for their customers.
That Was Large Print?
A few weeks after that first visit, I finally woke up and noticed that the large print section was indeed where I was looking, except it took up a shelf-and-a-half further up. (I wondered how someone with low vision would ever find those—I’m 5’9” and had to look up.) When I finally opened one up, I was shocked: The font looked barely larger than that found in a child’s chapter book and it didn’t follow most of the ACB guidelines I’d read about and tried to follow. In fact, it looked more like a relaxing read for me, and I can read really tiny print.
So, there you have it. Between Worlds is available not only in ebooks and regular print formats, but also in large print that follows the guidelines of the American Council for the Blind. You can watch the video below if you’d like to see what that looks like.