Last time, I talked about how art isn’t only about those Hollywood-movie moments of inspiration, that ideas can take time to develop. But why? What makes it so difficult to develop an idea? Montreal-based choreographer Sasha Ivanochko’s work can provide us with the answer.
Exploring Complex Ideas
It’s the exploration process. Art is exploration. Creativity, whether in art, at your job, or in your kid’s notebook doodles, is exploration. For Ivanochko, that meant spending several years developing two pieces, Mirror Staging the Seeing Place and Modern Woman in Search of Soul, showing at The Citadel in Toronto from June 6-9, 2018.
“These works are just what I’m thinking about,” she said in our phone interview.
So, what is she thinking about? Women and the stereotypes surrounding their bodies. It’s a complex, centuries-old theme that can’t be pulled apart and thrown onto a stage in a matter or hours or over a weekend. Mirror Staging took a solid two years to complete, Ivanochko told me, and she developed Modern Woman on and off over four years.
Experimenting With Exploration
Exploration #1: Mirror Staging the Seeing Place
In Mirror Staging the Seeing Place, independent dance artist Kristy Kennedy dances most of the performance facing a wall of mirrors in the dance studio. The audience, able to see themselves, of course, too, sees Kennedy’s body captured and reflected by the mirror.
Ivancohko described it as a dancer dancing, that there’s nothing theatrical about this piece. “It’s a dancer performing dance moves and also movement that a person would recognize as kind of typical behaviour of certain people,” she said.
Exploration #2: Modern Woman in Search of Soul
The second piece performed that evening, by award-winning Toronto Dance Theatre member Alana Elmer, is Modern Woman in Search of Soul, “the angry sister” to Mirror Staging.
“It’s text-driven, and the dancer verbally solicits and kind of directs the audience to describe what the dancer is doing,” Ivanochko explained. This performance is the piece’s world première and will be live-streamed by renowned choreographer, filmmaker, and creative technologist Jacob Niedzwiecki.
As you can probably tell, these are both experimental pieces and Ivanochko is quick to point out that she’s working “with an outstanding team.” But notice that she doesn’t shy away from grand ideas like these. Even when she was turned down for funding for one of the pieces, she didn’t stop. Her application to the Quebec Arts Council was refused. “The feedback from one of the jury members at that point was that the topic was cliché. Which is appalling when you consider what’s going on now,” she said.
#metoo, Women, and Stereotypes
Both shows could not be shown at a better time. Although the #metoo movement carries sadness in it, it also carries triumph: women are speaking up about a subject that has long been pushed back to hushed corners of our society. Artists like Sasha Ivanochko are now bringing these topics to the fore.
But if you’re expecting the pieces to be loud statements about the ordeals of women, Ivanochko emphasizes they aren’t: “The dancers are really deeply embodying these ideas. So, it doesn’t come across as superficial. And, generally, with Mirror Staging, because it has been performed twice now for audiences, and we’ve done studio showings for Modern Woman, people are generally quite moved by the dancers as they allow these stereotypes to pass through their bodies.”
Pass through their bodies. I like that: it’s a way of describing that these stereotypes exist but it also acknowledges they don’t have to be permanent.
“These works aren’t for women, they aren’t for men,” she emphasizes. They are an exploration of her thoughts on the subject of stereotypes and women.
Exploring Takes Time and Patience
Which brings us back to where we started: exploration and Ivanochko’s thoughts.
Maybe you explore your personal life through writing in your journal. Or perhaps you explore different ideas in your graphic designs. Maybe your topic of exploration is relationships, and that’s why you love acting when time allows for it.
But at some point in time, you plateau, you feel as though your creativity has hit an impasse and fear won’t develop any further. That’s where I’d encourage you to explore even more.
If you’re struggling to find your creative voice, remember that professionals take years to develop theirs. Do not use that observation to knock you down, á la “I’ll never get this right.” (Was it Grover who’d smash his head into the piano in frustration?) Use it as encouragement: “I need to be patient with myself. I have a full-time job and family responsibilities, but I can do this. It’ll just take some time.”
When Ivanochko started out, she found she had too many things to say, and an early mentor told her she needed to focus. But with time, she learned to have patience and trust her instinct.
Mirror Staging and Modern Woman are the result of that trust. She ignored the feedback from one grant committee juror and continued to explore these ideas, simply because she felt compelled to.
If you’re stuck in front of your medium of choice, whether it be a piece of paper, a computer screen, a music or dance studio in your basement or elsewhere, and you’re stuck in a rut of ideas, give yourself time to explore. What do you think about the topic at the centre of your creation?